After the success of the summer 2020 edition, the new OPERAFEST LISBOA, 11 to 20 August 2021 will be directed by soprano Catarina Molder and with the production of Ópera do Castelo. It looks that it is now a proven reality!
Combining tradition and avant-garde, in a summer program, comprehensive to reach all types of audiences, betting on the opera of the future and new creators, national talent and the conquest of new audiences, has as its epicenter in the unique setting of Jardim do National Museum of Ancient Art.
Still on the path of tragedy, an essential subject of opera, following the programmatic matrix “the worse, the better”, but in the wake of a pandemic that paralyzed the world, jeopardizing social life and human sharing, art presents itself as a invaluable path to the world of the unlimited and the fantastic - dream and magic are now essential needs!
It will be a program that combines tears and dreams, marked by great classics (Madame Butterfly by Puccini), but also by unpublished opera (The Medium by Gian-Carlo Menotti), new orders (“Until death do us part” - opera in creation by Ana Seara) in double dose with Magagonny Songspiel by Kurt Weill, but also new proposals with satellite opera (Opera Gala staged: Soul on Fire, Lyrical Machine performance, Singing lessons for amateurs, Opera Marathon XXI - Arias and Cine contest -opera), to reach unusual audiences, passing through distant, exotic and fantastic worlds.
Canceled last year due to the pandemic, the organizers of the Easter Classic Music Festival, in Aix-en-Provence, did not want to waste another year and opted, this time, for an "online" and free version , with all the concerts. played live.
One of the highlights of this year is the duet of Argentine pianists Daniel Barenboim and Marta Argerich .
This Wednesday, the Portuguese Maria João Pires enters the scene .
Barenboim says that "he has been making music for more than 70 years and people continue to want to see it, or in language more than this century, to pay to see it, which is very gratifying".
This recording was a big surprise, with no audience at Teatro Máximo de Palermo-
It was with singers, from the Italian Belcanto School, for whom we often know where the great Italian voices come from.
“Ernani” is a less sung opera, on stage, than the best known composed by the genius of Busseto, Verdi as the Traviata (Callas sang it in Lisbon, in 1958), and so many others like Rigoleto, Aida, Otello, etc.
"Ernani" has Piave's argument, based on Victor Hugo's drama, "Hernâni". In this production, the choir singers are distributed, one by one, through the boxes and the solo singers in the audience (chairs removed). Dressed in a rich wardrobe, from the time of the century. XVI, romanticized, at the same time, due to contingency, becomes an unprecedented solution.
Let's start with the baritone Simone Piazzolla, in the role of D. Carlos that is endowed with a beautiful singing school, with a beautiful timbre, phrasing and expressiveness. We also highlight tenor Giorgio Berrugi in “Ernani”, Soprano Eleonora Burato in Elvira,
Bass Michael Pertuzi in the evil Silva, after the end of each act, the camera moves to the place where the singers prepare, already with a protective mask.
Continuing, inside the theater room, forming an arena, with the orchestra on stage, we see the singers. Ernani (tenor) who was after all Don Juan de Aragão, a bandit banned by the king of Castile and who loves Dona Elvira (soprano) who is about to marry the old Ruy Gomes da Silva great of Spain, and hides Ernani refusing to release him. However, it combines to free Elvira, also loved and hostage of Don Carlos, king of Castile, later elected Emperor, will forgive those condemned to death, consenting to the marriage between Elvira and Ernani. Meanwhile a hunting horn is heard, but Ernani having arranged with Silva that he would kill himself, if the horn sounded, dies in Elvira's arms and finishes the opera.
The beautiful aria "Ernani Involami" is sung by Elvira, being a laugh with coloratures, it is one of the most difficult for a lyrical spinto voice.
"About Tosca" Critic of António Lourenço, 15th January 2021
One of the most famous and sung operas, Tosca opened on January 14 (1900), in Rome, with eternal music by Giacomo Puccini and libreto, by the duo Luigi Illica and Giuseppe Giacosa.
It originated in a play written in 1887, by the French writer Victorien Sardou, for the famous actress Sarah Bernard (who stayed in the history of the theater).
A neurotic "owner" would be the subject of study of the various psychological variants and pathologies, from being jealous, insecure, obsessive and impulsive. In love with the painter, Mario Cavaradossi (sung by a lyrical Tenor), she will face the powerful police chief, Baron Scarpia (sung by a Baritone), a man full of lust who uses power to perversely manipulate his victims and will use them as an object of desire. Tosca, a lyrical soprano, in the play and on the stage, loses confidence in his lover Mario, which will further crumble the world around him, suspecting that he has a secret connection with the lady who is painting the portrait.
Scarpia personifies the abuse of power, with its mistakes and dirty games of corruption, using that power to subdue the weakest, to satisfy their desires, destroying the lives of those who oppose or do not think like him, using torture and the murder. The opera ends. With a total of 3 homicides and Tosca's suicide!
Composer Alfredo Catalani - First performed at La Scala, Milan on 20 January 1892. Is well known especially owing to the beautiful aria: "EBEN, NE ANDRÓ LONTANA" (I'll go far away). A story from the Tyrolean Alps, based on an episode in the life of tyrolean painter Anna Stainer-Knittel "Die Geir-Wally '' epithet, from once stealing a vulture’s hatchling from her nest.
Catalani had composed the most famous aria, independently as "Chanson Groënlandese" in 1878 and, later, incorporated it in his Opera. The heroine throws herself into an avalanche, and because of the difficulty of staging is rarely performed, owing to this scene. There is a movie "La Wally", 1932 (Dir. by Guido Brignone).
The protagonist of the opera "La Wally", soprano ZARINA ABAEVA, was endowed with a beautiful and rare dramatic soprano voice, with a splendid timber and wonderful articulation, with 33 years of promise and great successes.
The composer Alfredo Catalani, with dense music and an orchestral score full of density, both in the accompaniments and in the beautiful preludes, is part of the VERISMO movement (“I love you, you betrayed me, I kill you”). Although, weak in melodies, the reason that made him less known and represented, because even the famous aria "EBBEN? NE ANDRÒ LONTANA", was taken from a peasant song, which he had previously composed.
The version presented in São Carlos, was in Concert, given the pandemic in which we live, in addition to being a work difficult to stage, due mainly to the avalanche scene.
Tenor, Azer Zada, in the role of Giuseppe Hagenbach, lyrical spinto, fulfilled it thought with a certain effort and guttural voice. Sromminger, the Brazilian Luiz Ottavio Faria, with a deep, very deep voice; the promised groom Vincenzo Gelner, sung by the baritone Luis Cansino, with a deep voice, with intense volume and something rude. The remaining secondary roles, very well interpreted by, Joana Seara, Patrícia Quintas and Nuno Dias. The version of Concerto allow us to appreciate more deeply the great music of Catalani (deceased at the age of 39), without the scenographic distractions, We left the Theater in a state of grace.
Amazing initiative to launch an opera festival, in such a dramatic moment that humanity faces, as it was a real "spear in Africa", generated by a great passion of Catarina Molder, a lyrical singing. His mentor, soprano who also played Tosca's role, with dignity, feeling that this love is in the blood. It is an authentic landmark in Portugal, which brings together sublime music, drama and lyrical singing, in addition to visual arts, staging. It was a great difficulty, to find a place for the shows and gorges to be in the ruins of Carmo, it took place in the beautiful gardens of the National Museum of Ancient Art, the most famous and important in Portugal.
Since opera performances are highly expensive, the adventure was even greater.
Opera marathon XXI: In addition to "TOSCA", the director invited 7 young Portuguese national composers to compose, a mini 20 to 25 minutes. The result of the contest, awarded the composer Sara Rosa in "Margarida". In general, there was an excess of words in the mini-operas, except for the 4th - "The Treasury" and the 7th "I don't know how many souls I have", in which the song predominated. There was also a Rave and a Gala, with the Mexican Tenor Rodrigo P. Garulo. Throughout the organization there was a spirit of calling and bringing more young people to watch opera performances!
For the role of Mario Cavaradossi, Spanish tenor Xavier Moreno, with a lyrical spinto voice, was invited.